JENNIE, a member of the group ‘Blackpink’ and solo singer who has established herself as a global pop icon, is repainting the world’s music landscape.
After being the only Korean to be included in the ‘100 Most Influential People in the World of 2026’ selected by TIME, USA, she was selected as the headliner of major festivals around the world, solidifying her status as the overwhelming ‘festival queen’.
According to the K-pop industry on the 3rd, Jenny was recently selected as the headliner for Denmark’s ‘Roskilde Festival’ and Poland’s ‘Open’er Festival’.
At Roskilde, a non-profit music festival that started as a hippie festival in 1971 and donates proceeds to human rights movements, Jenny will become the first K-pop artist to stand on the main stage on July 3. Headliners on other days are The Cure, Gorillaz, and Zara Larson.
Roskilde’s music director Thomas Söderby Jepsen “팝 음악이 향하는 방향을 이해하려 할 때, 제니는 결코 무시할 수 없는 존재”saying “그녀는 현재의 경향을 반영하는 동시에 미래를 가리키고 있다”I pointed out. This is an evaluation that represents Jenny’s function as a compass for contemporary popular music.
Then, on July 4th, they will go to the ‘Orange Main Stage’, the heart of Poland’s ‘Opener Festival’, which boasts the largest scale in Eastern Europe. He was able to command tens of thousands of people on a vast military airport runway that had been visited by some of the biggest names in popular music, such as Radiohead and Kendrick Lamar. This is also the first time that a K-pop artist has headlined the festival.
Accordingly, Jenny has shown off her spirit by appearing as a headliner at seven major overseas festivals this year, starting with ComplexCon Hong Kong in March.
They have already been selected as headliners at The Governors Ball NYC (June 5-7, New York, USA), ‘Mad Cool Festival’ (July 9, Madrid, Spain), Lollapalooza Chicago (August 1, Chicago, USA), and Summer Sonic (August 14 and 16, Tokyo and Osaka, Japan).
This unstoppable movement across Northern and Eastern Europe, Asia and the Americas proves that Jenny’s pop music territory is no longer confined by physical borders or Anglo-Saxon mainstream hegemony. Jennie has transcended the grammar of a specific genre called ‘K-pop’ and has leapt to become a universal and unique icon that unites the heartbeats of a heterogeneous crowd into one sense.
Behind this power of control lies the artist’s struggle to create a complete ‘self-narrative’ away from the gaze of others.
American singer-songwriter Gracie Abrams recently wrote a recommendation for Jenny’s ‘Time 100’ selection. “모든 소음을 뚫고 나오는 부인할 수 없는 존재감”As praised, Jenny proved her own artistic strength through her first solo full-length album ‘Ruby’. The achievement of setting a record for the most K-pop female solos by entering a total of seven songs on the US Billboard main single chart ‘Hot 100’ suggests that her essential energy has successfully communicated with the public around the world.
Ultimately, Jenny’s stage is a ritual space where the most private confessions are sublimated into a public festival. The recent bikini photo shoot, which has brought swimwear into everyday life with the concept of ‘Swim-to-Street’, is also in line with the festival’s festival nature in that it is an ‘elegant exhibition of self-determination’ in which a subject freed from constraints affirms itself.
The festival, where raw energy is exchanged in front of tens of thousands of spectators, is not just a place for Jenny to sing. It is Shakespeare’s Forest of Arden, where we reveal our most honest faces and stand in solidarity with others. Jenny’s journey to stand on stage as a complete and clear individual even after removing the ‘K’ modifier has just entered the middle of the hottest summer.
Newsis>
Copyright ⓒ Segye Ilbo. Unauthorized reproduction and redistribution prohibited.
Leave a Reply